Yasmina Reza

"A playground altercation between eleven-year-old boys brings together two sets of Brooklyn parents for a meeting to resolve the matter. At first, diplomatic niceties are observed, but as the meeting progresses, and the rum flows, tensions emerge and the gloves come off, leaving the couples with more than just their liberal principles in tatters"--P. [4] of cover.

""I was bored with my husband," says Anne-Marie, the irrepressible voice of Anne-Marie la Beauté, "but you know, boredom is part of love." Mostly she is speaking here of her more famous friend and colleague, the French actress Giselle Fayolle, in whose shadow she has spent her career. "My life was a near miss," she adds, before explaining that she enunciated well because "I loved to say the words." A very short novel with the power and resonance...

This citation of Borges resonates with every character in Yasmina Reza's novel, except that they are never so lucky. In fact, what happens to them is the exact opposite of what they crave. The twenty short chapters that make up this unusual book deal with both marital and extramarital vicissitudes, the elusiveness of intimacy, the fear of loneliness, and the desire to be loved or at least understood just once in our lives. The mixing of tones--cruelty...

"Tout le monde riait. Les Manoscrivi riaient. C'est l'image d'eux qui est restée. Jean-Lino, en chemise parme, avec ses nouvelles lunettes jaunes semi-rondes, debout derrière le canapé, empourpré par le champagne ou par l'excitation d'être en société, toutes dents exposées. Lydie, assise en dessous, jupe déployée de part et d'autre, visage penché vers la gauche et riant aux éclats. Riant sans doute du dernier rire de sa vie. Un rire que...

An old man reflecting upon his life, marriages, friendships, love affairs, and the enragingly separate existence of his spoiled and lost only son.